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عنوان اصلی:
The Classic of Changes: A New Translation of the I Ching as Interpreted by Wang Bi(226–249 CE)
کلاسیک تغییرات: ترجمهای تازه از ای جینگ با تفسیر وانگ بی
وانگ بی (۲۲۶–۲۴۹ م.) با وجود عمر کوتاه خود (حدود ۲۳-۲۴ سال)، یکی از اثرگذارترین متفکران تاریخ چین به شمار میآید. او از برجستهترین نمایندگان جریان فکری شوانشوئه («حکمت رازآمیز» یا «فلسفهی ژرف») بود؛ جریانی که در پی بازخوانی میراث کنفوسیوسی و دائویی در قالبی فلسفی و متافیزیکی برآمد. شرحهای او بر دائو ده جینگ و ای جینگ از تأثیرگذارترین آثار تفسیری در سراسر سنت فکری چین به شمار میروند و برای نزدیک به هزار سال تنها مرجع معتبر مطالعهی این دو متن بودهاند.
در مرکز اندیشهی وانگ بی مفهوم وو (無، نیستی، بیتعینی یا غیب مطلق) قرار دارد؛ اصلی که از نظر او سرچشمه و بنیاد همهی پدیدههای متعین است. او استدلال میکند که کثرت موجودات و دگرگونیهای جهان تنها بر پایهی امری نامتعین و فراتر از صورتها (بسیط محض، صمد، احد، برهمن) امکان ظهور مییابند. از این رو، ششخطیها و نمادهای ای جینگ در نظر او صرفاً ابزار پیشگویی نیستند، بلکه تجلیات گوناگون یک اصل بنیادین و یگانهاند که در پس همهی تحولات جهان حضور دارد.
تفسیر وانگ بی نقطهی عطفی در تاریخ ای جینگ به شمار میرود، زیرا پس از سدهها توجه را از کاربردهای پیشگویانهی کتاب به سوی معانی حقیقی و ساختار فلسفی و متافیزیکی آن معطوف کرد. نفوذ این خوانش چنان گسترده بود که نهتنها بر سنتهای بعدی کنفوسیوسی و دائویی، بلکه بر شکلگیری زبان فلسفی بودیسم در چین نیز تأثیر عمیقی گذاشت. از این رو، شرح او بر ای جینگ را میتوان یکی از مهمترین و ماندگارترین تفسیرهای فلسفی این اثر در سراسر تاریخ شرق آسیا دانست.
شش خطی 62
برتری کوچکی، فراتر از حد رفتن کوچکی (Xiao Guo)
اسامی و مفاهیم دیگر: پایین پرواز کردن، ارزندگی چیزهای کوچک، نماد فزایندگی چیزهای کوچک، گسترش جزئیات، وظیفه شناسی، فزونی یافتن جزییات، دستاوردهای کوچک
Sequence:
One who enjoys such trust will be sure to put it to use. This is why Zhongfu [Inner Trust, Hexagram 61] is followed by Xiaoguo [Minor Superiority].
THE HEXAGRAMS IN IRREGULAR ORDER
Xiaoguo [Minor Superiority] indicates superiority.
سنجش:
تفسیر کنفوسیوس
Such superiority succeeds through the fitting practice of constancy and is something that can be exercised only when the times allow it. { W.B: One may achieve success by superiority through the fitting practice of constancy, and this can be done only in response to the exigencies of the times. When one exercises superiority in reverence and temperance, such a one is fit to practice constancy.}
The soft and weak obtain central positions, and, because of this, there is good fortune in minor matters. The hard and strong stray from their proper positions and so are not central, and because of this, it is not possible to undertake major matters. { W.B: The accomplishment of major matters is surely a thing for the hard and strong. When the soft and weak insinuate themselves into major things, this forms the Dao that leads to Bo [Peeling, Hexagram 23].}
There is the image of a flying bird in it [the Xiaoguo hexagram]. { W.B: “It should not go up but should go down”: such is the image of the flying bird.}
“The flying bird is losing its voice, for it should not go up but should go down, because then there would be great good fortune.” That is, to go above means insubordination, but to go below means obedience. { W.B: To go above means that one rides atop the hard and strong [as Fifth Yin rides atop Fourth Yang], but to go below means that one gives carriage to the yang [as Second Yin supports Third Yang]. No greater misfortune can befall one than when one tries to exercise superiority in insubordination, but if one exercises superiority in obedience, such superiority will work a thoroughgoing change and beget good fortune.}
تصویر:
خط اول:
خط دوم:
خط سوم:
خط چهارم:
[Image Commentary]
“He does not exert his superiority but does meet with the opportunity to do as he should,” for the position is not right for him. “If he were to set forth, there would be danger, so he must take warning,” for in the end he could not last long.
خط پنجم:
خط ششم:
1. “The flying bird is losing its voice” translates feiniao yi yin. Kong Yingda comments: “Yi means shi [lose]. That the bird is losing its voice can only mean that it is exhausted and hard-pressed because of not having found a safe place to stop. The Lunyu [Analects 8:4] says: ‘When a bird is about to die, its call is sad.’ Thus we know that ‘is losing its voice’ [yi yin] means that its sound is sad.” See Zhouyi zhengyi, 6:18a. Cheng Yi and Zhu Xi both seem to interpret yi yin as “leave behind [transmit] a message.” That is, “the flying bird transmits the message: one should not go up, but one should go down.” See Zhouyi zhezhong, 8: 30b–31a.
2. This and all subsequent text set off in this manner is commentary by Wang Bi.
3. The lower trigram is Gen (Mountain), and the upper trigram is Zhen (Thunder).
4. Kong Yingda comments: “Thunder appears here not from within the Earth but from the Mountain above, so it is superior to its proper place of origin. Thus the hexagram is called ‘Minor Superiority.’ When a petty man is superior to his duties, he tends to fail because he is too rash and too extravagant. Thus the noble man serves as a model to correct him.” See Zhouyi zhengyi, 6:18b. It was the traditional view of the Chinese that thunder was produced inside the earth; this was “its proper place of origin.”
5. See section two of the Commentary on the Appended Phrases, Part Two, and note 19 there.
6. “Nothing at all could be done about it” translates buke ruhe ye, an interpretation that follows the commentary of Cheng Yi; see Zhouyi zhezhong, 12: 72a. Kong Yingda offers a different interpretation: “When advance would be to commit insubordination, whoever understands that this must not be done [buke] yet still does it, brings misfortune and blame upon himself, and whatever could such a one wish to do then [yu ruhe hu]?” See Zhouyi zhengyi, 6: 19a. Kong’s reading of the text would seem to be: “ ‘To be a flying bird here would mean misfortune.’ As one must not do such a thing, what could he ever do about it then?”
7. Cheng Yi and Zhu Xi interpret Second Yin differently. Cheng comments:
When a yang is above, it provides the image of the father. One who is more exalted than the father should have the image of the ancestor. Fourth Yang is above Third Yang, thus it represents the ancestor. Second Yin and Fifth Yin abide in mutually resonate positions and both have the virtues of softness and centrality. It is the will of Second Yin not to follow either Third Yang or Fourth Yang, thus it rises superior to Fourth Yang and meets Fifth Yin. This is what is meant by “is superior to his ancestor.” The fifth line is both yin and noble, so it provides the image of the ancestress. It has the same virtues as Second Yin and resonates accordingly with it. In other hexagrams, the yin and yang should try to find each other, but at a time of Superiority one must rise superior to one’s ordinary condition, thus it is different here. As there are none that Second Yin cannot rise superior to, when it follows Fifth Yin, it gets a warning about its exercise of superiority: “He does not go as far as his sovereign but does meet his minister.” This means that this one should advance upward but should not encroach upon his sovereign’s position. However, if such a one were to fulfill the Dao of the minister, there would be no blame.
See Zhouyi zhezhong, 8: 33a–33b.
8. Fourth Yang, at the bottom of the upper trigram, is in a lowly, subordinate position: not a place from which to exert superiority. If this line were at the top of the lower trigram (i.e., in the third position), a lofty position of authority, it could, of course, exert that superiority.
9. Both Cheng Yi and Zhu Xi interpret Fourth Yang in a more positive light. They say that a yang line in a yin position indicates humility and reverence, qualities that allow this hard and strong one to suppress his superiority, refrain from advancing, and so stay free of blame. Also Cheng Yi interprets wuyong yongzhen (one must not use this one where perpetual constancy is required) differently: “Just now at a time when the yin enjoy superiority, this yang hard and strong one finds himself out of his proper position. Thus the noble man must get in step with the moment and comply with the exigencies of the place. He must not hang on tenaciously to constant principles.” So for Cheng, wuyong yongzhen seems to mean “this one must not practice perpetual constancy.” See Zhouyi zhezhong, 8: 34b–35a.
10. Cf. Hexagram 9, Xiaoxu (Lesser Domestication), the Judgment, and note 4 there.
11. Kong Yingda says that rain is a metaphor for the moral transformative power of virtue, which is how one gets others to submit of their own accord. However, he observes, “here one shoots and so captures them, which emphasizes military power; one who emphasizes military power will but make dense clouds and no rain”; i.e., external coercion never leads to great and good government—something that only emerges once the populace has been morally transformed by the ruler. See Zhouyi zhengyi, 6: 20b. Both Cheng Yi and Zhu Xi think that the one in the cave refers to Second Yin. They go on to say that Fifth Yin captures Second Yin in order that Second Yin will help, but, as Cheng says, “how could two yin ever manage to accomplish anything great? It would be just like dense clouds being unable to produce rain.” See Zhouyi zhezhong, 8: 35b.
12. Kong Yingda comments: “Once the yang line in Gen [Mountain, Restraint] has climbed to the top position of this particular trigram, it comes to a complete stop. Thus it does not climb further to interact [with the yin lines of the upper trigram] and so make rain.” See Zhouyi zhengyi, 6: 20b.
گرچه برتری کوچک پیشرفتآفرین است، اما تنها زمانی سودمند است که درست باشد؛ اگر درست نباشد، پیشرفتآفرین نیست. راه درست در برتری کوچک آن است که کنش از آرامش منحرف نشود، یعنی کنش با حفظ آرامش انجام گیرد؛ با جنبش و سکون بهعنوان یک چیز، انسان راستین به ژرفاهای ژرف فرو میرود، سرگردان است اما در دایره باقی میماند، نه بیتفاوت است و نه دلبسته، بلکه یکپارچگی بسیار ظریفی را حفظ میکند. این ویژگی برای کار کوچک مناسب است، نه برای کار بزرگ؛ کار کوچک یعنی بیکوششی، کار بزرگ یعنی کوشش. کوشش راهی است برای یافتن ینگ، بیکوششی راهی است برای پرورش ینگ. هنگامی که شکم پر شد، مناسب است که کوچک برتری یابد تا ینگ را پرورش دهد. اگر کسی قادر به انجام کار بزرگ باشد ولی نه کار کوچک، نه تنها نمیتواند ینگ را حفظ کند، بلکه حتی ینگ آسیب خواهد دید. (ییمینگ)
گفتارهای شش خطی 62